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SINOPSIS

The Felpetos have run a pool betting business for several decades. The family business operates in a small neighborhood of white houses in the south of the Buenos Aires suburbs. Maribel is in charge of coordinating a group of operators who calculate bets in the living room of her house. Alejandra, her mother, lives in an identical house a few meters away, where the administration operates. Some gambling capitalists were raided in recent days and the climate in the neighborhood is tense. There is talk of purges in the police and large movements of money. Nobody knows how much truth there is in the rumors and the news on TV.

• Dirección & Guión: Hernán Rosselli
• Casas productoras: Protón Cine 36 caballos Un Resentimiento de provincia Zebra Cine Arde Cine Jaibo Films Oublaum Filmes
• Producción: Mariana Luconi Juan Segundo Alamos Hernán Rosselli Miguel Molina Adán Aliaga
• Dirección de Fotografía: Joaquín Neira
• Dirección de arte: Micaela Lauro Santino Mondini
• Diseño de sonido: Nahuel Palenque (ASA) Martín Scaglia (ASA)
• Edición de diálogos: Lautaro Zamaro (ASA)
• Sonido directo: Javier Jensen
• Montaje: Hernán Rosselli Federico Rotstein Jimena García Molt

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Each chapter follows the journey of a woman who organizes her life around the job of cargo transportation. The love of travel, family ties in an almost nomadic life, the role of women in a hyper-masculinized environment, are some of the themes that will be woven between the particular stories of the protagonists.

• Producción: Mariana Luconi & Bárbara Herrera
• Producción Ejecutiva: Mariana Luconi
• Capítulo 1 Directora: Luciana Bilotti
• Capítulo 2. Director: Alejandro Rath
• Capítulo 3. Directora: Julia Rotondi
• Capítulo 4. Directora: Constanza Epifanio
• Director de fotografía y cámara: Baltasar Torcasso
• Coordinación de producción: Bárbara Herrera
• Sonido directo: Melisa Stasiak
• Montaje: Camila Menéndez
• Director de sonido: Lucas Kalik

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After being 10 years away from my mother, in 2011 I travel for the first time to Taiwan to visit her. I start shooting our reunion, realizing the possibility to start a movie. During the stay, I try to talk to her about the murder of my father, but I don’t succeed. On the last night, after a lot of rice wine, my mother and I sang “The moon represents my heart”, by Teresa Teng, a very popular and iconic Asia song. Eight years later, we travel back to Taiwan. Now, I shoot with an objective: to make a documentary film about our meetings and the dead of my father. As the weeks go by, I feel that she doesn’t have much more to tell so I start shooting deviations with a few short films connected to my experience on the island. Finally, I realize that I didn’t come to shoot my father’s story, but my mother’s: a strong woman.

• Director and Screenwriter : Juan Martín Hsu
• Executive Producer: Mariana Luconi
• Co Producer: Huang Yin-Yu
• Sound Director: Nicolás Torchinsky
• Editors: Ana Remón - José Goyeneche
• Cinematographer in fiction: Tebbe Schoeningh

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The granddaughter of Argentine lawyer and politician Juan Labaké makes subtle use of old and new home videos to shed light on the subordinate role of women in politics and society, in the context of the political rise of the 1990s.
How to make the invisible visible? In the first half hour of Dormant, we follow the rise of Argentine lawyer and politician Juan Gabriel Labaké, who backed Carlos Menem and his Peronist party in the 1990s. Home videos recorded by his wife show Labaké traveling, campaigning election and at home with his family.
Suddenly, we are thrown into the present (that is clear from the superior quality of the footage) and we see the real protagonists of the film for the first time. Now it is Labaké’s granddaughter, Natalia, who operates the camera and takes aim at the women of this family, especially her sister Agustina and her aunt Bibiana, who only appear in supporting roles in her grandmother’s 1990s home movies. “Bibi” spends her days in a nursing home, while Agustina, who suffers from anxiety, still lives at her parents’ house. Both try to shake off their lethargy.
Natalia Labaké artfully alternates between old and new images to show how the contempt for women that was inherent in past political visions still impacts women in contemporary Argentina.

• Director : Natalia Labaké
• Executive Producers : Mariana Luconi, Agustín Burghi
• Editor: Ana Remón
• Screenwriters: Paulina Bettendorff, Natalia Labaké, Ana Remón
• Sound Director : Sofia Straface

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Estefanía arrives at a campsite with her family to rest for the weekend. From the beginning it is perceived that things do not work well. Marcos is confined to his sailboat while Sara trusts that they will be able to spend more time together there. Estefanía takes advantage of the family crisis to escape the overprotective gaze of her parents.

• Director: Luciana Bilotti
• Executive Producers : Bárbara Herrera-Mariana Luconi
• Art Director : Marina Raggio
• Sound Director: Nahuel Palenque
• Editor: Anita Remón

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Two actors rehearse strange and complex texts. Identification with its characters crosses
a threshold of space and time: Leon Trotsky, in his Mexican exile, asks André Breton to
write the draft of a manifesto to organize revolutionary artists.
Tormented by the abyss of the blank page, Iván no longer distinguishes sleep from wakefulness. From his
unconscious encounters with a pianist, a filmmaker, a poet and a writer that vanish in the magma of the surreal.

• Cast: Pompeyo Audivert, Ivan Moschner, Adriana de los Santos, César González, María Negro, Gabriela Cabezón Cámara.
• Director: Alejandro Rath
• Executive Producer: Mariana Luconi
• Cinematographer: Baltasar Torcasso
• Art Director : Angeles García Frinchaboy
• Costume Designer: Manuela Maglio
• Editors: Ana Remón y José Goyeneche
• Sound Director : Nicolás Torchinsky

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Jotta, a young atheist, is disarming the house of his mother who died after a long cancer. In the story he evokes the struggle he had to wage in order to die with dignity in that house. Also his search for answers in religion, science and politics.

• Director : Alejandro Rath
• Executive Producers: Valeria Bistagnino-Mariana Luconi
• Art Director : Ángeles Frinchaboy
• Costume Design: Julieta Mujica
• Make up Artist: Celeste Dunán
• Editor: Ana Remón
• Cinematographer : Martín Turnes
• Director's Assistant: Juan Martín Hsu

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Jo Ok Sim together with his family went around the world until arriving in Ushuaia in 1974, being the first Koreans to live there. The documentary proposes to reflect on the value of work and the identity of a Korean family that lived longer in Argentina than in their homeland.

• Director : Daniel Kim
• Director´s Assistant: Cecilia Kang
• Cinematographer: Santiago Troccoli
• Editor: Florencia Tissera

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Jo Ok Sim together with her family goes around the world until arriving in Ushuaia in 1974, being the first Koreans to live there. The documentary proposes to reflect on the value of work and the identity of a Korean family that lived longer in Argentina than in their homeland.

• Director: Daniel Kim
• Assistant Director : Cecilia Kang
• Cinematography: Santiago Troccoli
• Film Editing: Florencia Tissera

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Jotta, un joven ateo, está desarmando la casa de su madre muerta tras un largo cáncer. En el racconto evoca la lucha que debió librar para que ella pudiera morir dignamente en esa casa. También su búsqueda de respuestas en la religión, la ciencia y la política.

• Director: Alejandro Rath
• Productoras Ejecutivas: Valeria Bistagnino-Mariana Luconi
• Directora de Arte : Ángeles Frinchaboy
• Vestuarista: Julieta Mujica
• Maquilladora: Celeste Dunán
• Editora : Ana Remón
• Director de Fotografía: Martín Turnes
• Asistente de Dirección: Juan Martín Hsu